Starting in the late 1970s, Hiroshi Sugimoto took pictures of cinemas interiors and drive-ins with the aim of encapsulate the whole lenght of a movie in a single shot. He left the camera shutters open throughout the running of a movie and the glowing screen of the cinemas was left as a trace on each take. A somehow uncanny light resonates in the dark cinema halls. At a further glance, this central light ethereally underlines the rich architectural details of the theater interiors. You might want to confront Sugimoto’s work with Michael Wesely’s, a photographer that uses to take photographs featuringi 3 years long exposures: read “The passing of time“, (on Socks).
My mom got called on to read aloud in class and came across the word ‘island’ and pronounced the s (is-land) and the whole class laughed at her and the teacher told her she was stupid. She grew up hating reading and has literally not read any books, newspapers, magazines, etc. since my sister and I were younger and then she only read us children’s books because she ‘had to.’ So like, don’t do this.